In 1996 Cartier replica did a bunch of stuff to celebrate its 150th anniversary. Most notably, Antiquorum hosted an auction, “The Magical Art of Cartier”, featuring some 600+ Cartier lots (check them all out here2, it’s wild). In conjunction with that, The House commissioned some timepieces, often with different dials to make them unique. Among those were a handful of luxury fake Cartier Cloches (“bell” in French) in platinum. Some of these timepieces were sold via the auction, while others were sold privately.
The example up for sale at Monaco was originally sold privately back in 1996. It’s about as classic as it gets for Cartier, with Roman numerals, an outer minute track, and Breguet hands. This particular watch is also featured in Patrizzi’s White-Cartier-Bianco, the tome that costs more than your average Cartier baby spoon. If you look at The Magical Art of Cartier catalog, you’ll see two other luxury fake Cartier Cloches in platinum with unique dials. One has “Cartier Paris” scattered around the dial instead of numerals, and another has bold Roman numerals, but no minute track, setting it apart from the example for sale in Monaco. Interestingly, both of these examples sold for about $36k at Antiquorum, and that was back in 1996. Monaco Legends places the estimate for this example at €50k-100k. Over the past couple of years, we’ve thought of The House as this undeniable rocketship, but if this lot lands in the middle of its estimate, that imputes a mere 2x return on these platinum Cloches across 25 years. Not exactly significant (more like results you’d expect from a “world-class” hedge fund). Instead of a rocketship, the Cartier market has been more like a roller coaster over the past generation or two.
One more significant Cloche from 1996. Of course, this one from the wrist of John Goldberger. Again, it’s a platinum Cartier Cloche copy with white dial, but this one’s got Arabic numerals. Goldberger explains that it’s one of two examples with this dial.
Meghan Markle and Prince Harry said in their interview with Oprah Winfrey that they’re expecting a baby girl in the summer.
After the couple announced their baby’s gender, an interview from 2015 that Markle did with the Canadian publication Hello! magazine resurfaced.
Markle, who was then starring in the legal drama “Suits,” told Hello! that she bought herself a two-tone rose gold and steel case copy Cartier French Tank watch that retailed for $5,800 at the time of writing. She told the magazine that she wanted to pass it down to her daughter one day. “I’ve always coveted the silver dial copy Cartier French Tank watch. When I found out ‘Suits’ had been picked up for our third season — which, at the time, felt like such a milestone — I totally splurged and bought the two-tone version,” Markle said. Markle also said that she had the luxury copy watch personalized to make it even more special. “I had it engraved on the back, ‘To M.M. From M.M.’ and I plan to give it to my daughter one day. That’s what makes pieces special, the connection you have to them,” she said.
Harry and Markle said that they’re likely done having kids During the couple’s tell-all interview with Winfrey, Harry said that he and Markle are excited to have a family of four.
“To have any child, any one or any two would’ve been amazing, but to have a boy and then a girl — what more could you ask for?” Harry said. “Now we’ve got our family. We’ve got the four of us, our two dogs.”
After getting married in May 2018, Harry and Markle welcomed their first child, Archie, in May 2019. In an op-ed article that Markle wrote for The New York Times in November 2020, the duchess said that she suffered a miscarriage during her second pregnancy in July 2020.
“I knew, as I clutched my firstborn child, that I was losing my second,” the duchess wrote.
On Valentine’s Day, Harry and Markle announced that they’re expecting, and they shared a black-and-white picture that was taken remotely via iPad by their close friend, photographer Misan Harriman.
Despite the fact that pink-colored dials are niche, there are developments in this area (I might even dare to say trends). One of the most important is the way that the color is being combined with other colors and materials. For decades, pink-colored dials were served straight up, combined with white-colored metals on brown straps or metal bracelets. This way, the pink took center stage. But recent developments have shown that pink can also hold its ground when mixed into a very nice cocktail.
Earlier in 2021, Arab Watch Club launched its very first collaboration with Cartier, which included not one but three watches.
The first follows a familiar theme as thistop quality fake Santos de Cartier features a white gold case with a pink dial. The twist with this watch is that it features a bezel in black DLC coating. This combination works surprisingly well and tones down the pink color of the dial.
It becomes even more spectacular in the two other Swiss made copy Cartier watches, which feature the same black DLC-coated bezel and pink dial combined with a pink gold case. Both the Santos de Cartier and the Santos-Dumont available in this combination become surprisingly charismatic.
It took me some time to get used to the bold and unexpected combination of colors and materials, but it works. The pink dial comes across differently because of the pink gold case, receiving more of a copper tone.
One could perhaps best compare it to a chef serving your favorite dish with a twist you hadn’t tasted before.
Quick Facts automatic movement replica Santos de Cartier x Arab Watch Club Case: 39.8 x 9.08 mm, satin-finished and polished pink gold with black DLC-coated bezel Movement: automatic Caliber 1847 MC, 28,800 vph/4 Hz frequency, 42-hour power reserve Functions: hours, minutes, seconds; date Limitation: 6 pieces
It has not been officially released, however a few lucky clients have already taken possession of the new perfect Tank Cintree fake watch. It celebrates the model’s 100th anniversary and is a very faithful reproduction of the original.
They even left the words “Swiss made” off the dial. Just 150 pieces will be produced. It has an 18k yellow gold case, an off white color dial with Roman numerals and Breguet hands. It is powered by Cartier caliber 9780 MC. No word yet on price.
Cartier is just as renowned for its unparalleled jewelry as it is for watches. And the new Cartier Maillon replica with blue hands embodies this dual identity by becoming a piece of jewelry, thanks in large part to its integrated diagonal link gold bracelet. According to Cartier, “It all lies in the twist of the lines, in the torsion emphasizing the perspective within which the watch dial blends. This interpretation allows the case and links to entwine themselves in one graphic motion.”
The design’s fluidity is not just for looks, however. The twist-effect links, each moving separately, wrap the wrist with a drape that’s smooth and supple. The luxury fake Cartier Maillon timepiece comes in yellow, pink, and white gold, with the pink and white gold available with diamond bezels. A version with a full pave bracelet and bezel is available in pink gold, and a fully set dial, bezel, and bracelet version comes in white gold. One 50-piece limited edition perfect Cartier replica version features a black lacquer dial with 581 individually set diamonds on the crown, bezel, and bracelet.
WATCHES OF THE YEAR WINNER: CARTIER PASHA COLLECTION From £5,200 To £15,200 Although they live in the shadow of best fake Cartier’s most recognised Tank and Panthere lines, Pasha watches date back to 1985 and the current collection brings the past and present together in a perfect package. There was a full family of 24 SKUs unveiled back in the spring, with gender-neutral 41mm models alongside 35mm pieces aimed at Cartier core female customer.
Like most recent Cartier collections, the silver dials replica Pasha de Cartier watches have quick-release interchangeable straps and bracelets, making them versatile for customers and increasing repeat business potential for retailers. The blue hands replica Pasha de Cartier has two key design signatures: circular cases framing dials with a square shape at their centre; and a crown guard set with a blue sapphire that unscrews to reveal the smaller crown beneath. There are versions in steel, yellow gold, pink gold and set with diamonds, coming in two sizes: 41mm and 35mm and all using Cartier’s manufacture calibre 1847 MC automatic movement. The line tops out with a 41mm, hand-wound skeletonised model in white gold and diamonds for $168,000.
Designed by Gerald Genta, the cult classic was created from a 1930s water-resistant replica watch created by Louis Cartier to accompany the Pasha of Marrakesh on his daily swims. The model features a non-conformist round case with a square rail track in the dial’s centre, Arabic numerals, Vendome-style bars with Clous de Paris at the ends, and screw-down cover over a crown fitted with a blue spinel.
The dial flaunts a stamped guilloche motif and an ever-so-slight dégradé effect on its edges. Visible via a transparent caseback is the automatic calibre 1847 MC designed in the Cartier manufacture. Personalised engraving in the form of initials can be done at the back of the case or under the crown cover.
Australia Post chairman Lucio di Bartolomeo says he would have over-ruled a decision by the former chief executive to reward several employees with perfect fake Cartier watches had he been in charge at the time.
Giving evidence at a Senate estimates hearing on Monday evening, Mr di Bartolomeo said he accepted the luxury gifts did not accord with public expectations.
“If I had been chair in 2018 and had been made aware of a proposal to purchase cheap AAA fake Cartier watches I would have vetoed that purchase,” he said.
He also stood by his claim that former Australia Post CEO Christine Holgate had agreed to stand aside after the federal government launched an investigation into the watch purchases, which cost $19,950.
Ms Holgate resigned as chief executive of the postal service last week, but her lawyers have maintained that she was never formally notified of the board’s decision to stand her down and that there were no legal grounds for doing so.
She has also claimed the gifts had been purchased in 2018 with the approval of then-chair John Stanhope.
Mr di Bartolomeo said he had spoken with Ms Holgate on the afternoon of October 22 following her evidence to a Senate committee earlier that day that her office had purchased the watches as gifts for four employees for landing a major deal with Australian banks.
“We had a number of conversations that afternoon and the concluding position was that she would stand aside,” Mr di Bartolomeo said.
Asked whether there was a legal basis for Ms Holgate to stand aside, Mr di Bartolomeo told the committee: “She elected to stand aside.”
He told the hearing he had also spoken on October 22 with Communications Minister Paul Fletcher, who conveyed his view “that Christine should stand aside while the investigation took place”.
The watches saga is now the subject of a four-week investigation, led by the finance and communications departments, which is also scrutinising the broader expenses and governance culture inside Australia Post. The investigation is due to hand its findings to the government on November 20.
Australia Post legal counsel Nick Macdonald confirmed media reports that Ms Holgate had taken a proposal to the board for the executive team to be paid bonuses this year, despite committing in March to forgo them due to the COVID-19 pandemic.
Mr di Bartolomeo said the board ultimately decided in September not to pay the executive team bonuses for the 2019/20 financial year.
Australia Post still paid out a total of $92.4 million in bonuses, including to 502 staff on salaries between $252,000 and $845,000.
FEW watches transcend the fashion barrier but cheap fake Cartier timepieces are a bit of an exception.
Through the decades, the Maison has captured the imagination of both collectors and fashionistas alike with models such as the Tank and Santos often finding its way onto the style pages of publications that don’t necessarily geek out over horology.
This is because there is something about the way Cartier designs its watches – bold yet timeless so it remains loved through the ages and by different generations.
For 2020, the Maison turns the clock back to a watch that first originated in 1943 when it was presented to the Pasha El Glaoui of Marrakesh; before it was officially launched as a collection in 1985. The blue hands replica Pasha de Cartier embraced everything audacious and excessive about the eighties fashion – from its strong round case contrasting with the square filigree rail-track on the dial; the outsized Arabic numerals; the pair of horizontal lugs; and the signature protruding crown protector that is attached to the watch by a chain.
It was the brainchild of the legendary Gerald Genta and the Pasha’s anti-conformist design – a square inside a circle – is what makes the watch look so distinctive and iconic. STATEMENT-MAKING AESTHETICS
The fashion crowd embraced it for all its statement-making aesthetics and despite it being a watch for men, the ladies lusted over it way before the first ever official female model, the Pasha 32, was introduced in 1998. Miss Pasha, another colourful mini version made for women, followed in 2009.
Other notable iterations include Pasha C, the first to be introduced in steel in 1995; and Pasha 42, which as its name implies was even bolder and more masculine with bigger dimensions.
MAKING AN ENTRANCE
The diamonds paved bezel copy Pasha de Cartier continues to smell of ambition as it makes it re-entry in 2020 with a new unisex collection that stays largely faithful to the original save for a few modern updates.
The crown – hidden under the cabochon set cover – is now also set with blue spinel or sapphire, while a transparent caseback shows off the in-house automatic calibre 1847 MC.
Personalisation is also possible – strap changes can be done easily with just a push via the Cartier-developed QuickSwitch system located under the case, while initials can be engraved while staying tucked away from the public eye by a chainlinked shaped clasp attached to the crown.
The new models come in 35mm (without date) or 41mm (with date), in both steel and gold. Diamonds can also be set in the bezel, dial or bracelet for more bling. There are also skeletonised versions in steel; or gold, if you want a tourbillon along with it.
Forget about making an impression because in the world of fashion, this is what you call making an entrance.
When you think of Cartier replica, you tend, quite naturally, to think of objects. If you’re a watch enthusiast, you think, also quite naturally, of things like the Cartier Tank (in its enormous variety of forms) as well as other designs that have, for many decades, been part of the established landscape of cheap replica wristwatches and that have become classics in their own right. Indeed, the entire history of Cartier is a history of the evolution of a holistic design language through many decades – the firm was founded in 1847 by Louis François Cartier, who took over the workshop of a jeweler named Picard, with whom he apprenticed – and since then, the company has persisted and flourished through three major wars (the Franco-Prussian War, World War I, and World War II) and innumerable economic and internal crises both great and small. Throughout that time, the Cartier look became increasingly more and more refined, and today, the firm still goes to great lengths to ensure that its jewelry, watches, and other creations continue to have that indefinable aura that characterizes a Cartier design.
But what is often missed are the stories of the people behind the creations, which in many cases have been with us so long as to seem to have appeared through some process of spontaneous generation, in some semi-mythic period, perhaps from a higher Platonic realm of artistic necessity. The reality, of course, is that they were, one and all, the result of minds and hands that applied themselves tirelessly to the creation of beautiful objects and to satisfying the often extremely capricious tastes of exceedingly demanding clients. Who those people were is the subject of Francesca Cartier Brickell’s book, The top quality Cartier replica watch: The Untold Story Of The Family Behind The Jewelry Empire. As she tells it, the story began for her on July 23, 2009 – it was the 90th birthday of her beloved grandfather, Jean-Jacques Cartier, the last member of the founding family to direct the London boutique in New Bond Street, and the last family member to preside over one of the family businesses, which were based in New York, London, and Paris. As she tells it, she was asked to go down to the cellar of her grandfather’s home in the South of France to scout out a bottle of vintage champagne that had been saved for the occasion. The wine at first eluded her, but in the course of searching for it, she came across an old steamer trunk, half-buried under dust and a collection of other objects. What she found inside was a historian’s treasure trove. “Inside were hundreds and hundreds of letters. They were neatly arranged into bundles, each pile tied with a faded yellow, pink, or red ribbon and labeled in beautiful handwriting on a thick white card.” The letters were nothing less than an entire history of the Cartier firm, written in the first person by the family that built it from a relatively humble, obscure Parisian jewelry workshop, into an international presence which defined luxury for generations. The book that she eventually produced took ten years to write and led her around the world to uncover the largely unknown story of the Cartier family, and it relates that history in exhaustive detail. At 656 pages, it reminded me of reading The Decline And Fall Of The Roman Empire more than once, and I mean that as a compliment. The book is impressive not just for its sheer scope and complexity, but also for the absorbing and intertwining stories of both the family and its clients – a drama played out over generations on an international stage, with princes and kings and queens and captains of industry in featured and starring roles.
There is the notorious courtesan, La Barucci, who reigned over Parisian society in the years after the Franco-Prussian War, and who proclaimed, “I am the Venus de Milo. I am the number one putain in Paris!” There is a hapless Russian admiral, whom the author archly describes as in love with “fast women and slow ships.” There is the Romanov family, Cartier clients before the Russian Revolution, and afterwards, when the firm assisted those who fled Russia with their jewels in disposing of them discreetly. There are maharajahs and maharanis; there are film stars, including Richard Burton, who spectacularly lost his famous temper upon finding out that he had been out-bid by Cartier on an enormous diamond he’d intended to give Elizabeth Taylor, and who spent the next day at the payphone in his hotel until he finally managed to convince Cartier to sell it to him (“I flew into a rage,” he would later write in his diary). There is the flamboyant Jean Cocteau, for whom Cartier made a bejeweled dress sword to his design, upon his investiture into the Académie Français – and on and on. But at the center of all these stories is the Cartier family itself – and, most especially, the three brothers, who at the end of the 19th century, and during the early decades of the 20th, made best fake Cartier an international institution: “the jeweler of kings, and the king of jewelers.” Jacques Cartier in London, Pierre Cartier in New York, and Louis Cartier in Paris were living proof of the old adage that blood is thicker than water, and Francesca Cartier Brickell paints a detailed and revealing portrait of each – of their intense, passionate loyalty to each other, and to the ideal of building their empire on a foundation of peerless good taste, careful diplomacy, and an intolerance for anything but the very best, as well as a consideration for their employees that made each of the three branches of the firm a kind of extended family of artisans and business people.